01
Send the picture
A link, a rough cut, a script, a mood. No account, no form with eleven fields. We talk, and I tell you what I think it needs and roughly what that costs.
Four steps, no surprises. The contract becomes real when you pay it, and everything it contains is on this page before you do.
01
A link, a rough cut, a script, a mood. No account, no form with eleven fields. We talk, and I tell you what I think it needs and roughly what that costs.
02
You get a quote page of your own, not indexed and not public, with the scope, the price and the terms written out. Paying it is what makes the contract real. Nothing starts before that, and nothing changes after it without both of us saying so.
03
Revisions are for pointing the work in the right direction. Keep the cello, lose the drums after bar 40, land the hit two frames later. They are not for starting the piece again from nothing, which is a different job with a different price.
04
You finish with the audio, the separated stems, the sheet music and a licence that says in writing what you can do with all of it.
These are priced as a share of the contract you already have, so they scale with the job instead of being a second negotiation.
Past the revisions included in your quote. Same piece, one more pass in the direction you point.
Not a revision. The piece goes back to the start and comes out as something else, on the same project.
Added at checkout or later. The piece leaves my catalogue and becomes yours alone.
Added at checkout or later. Paying audiences, sales and advertising, instead of private use only.
Everything on this page is in the terms, written the same way for every client. Read the terms