I decide,and that iswhat you pay for

An interview, because a page written in the third person about myself would be the least trustworthy thing on this site.

Why should I hire you and not someone cheaper?

Because I will do what is best for the project. I follow your taste as well, but I do not let your taste override the choice that fits. That is not arrogance, it is the thing you are hiring: if you wanted an instrument that does exactly what it is told and nothing more, there is a subscription for that, and you have probably tried it already.

Cheaper always exists. What it usually costs you is the second round, the third round, and the week you spend explaining what you meant.

How did you learn to write for an orchestra?

By studying it and by putting my hands on it in person. Composition for Film Music at the Saint Louis College of Music in Rome, 110 cum laude, and private lessons before that. The virtual side came from a DAW I got hold of at fifteen and years of getting it wrong on my own.

I play flute and clarinet, and these days piano and saxophone. It matters less than the degree and more than you would think: writing a line for an instrument you have held is a different job from writing one you have only heard.

What is the longest you have ever spent on one piece?

A month, on a medley of the Game of Thrones themes. The libraries were too heavy for my computer, so I worked without hearing anything: I exported, wrote the corrections down by hand second by second, instrument by instrument, and corrected again.

Today that takes three hours. Those hours were paid for once, by me, and that is what a rate buys.

110cum laude, Saint Louis College of Music
100+projects delivered
200+minutes of music for one series
4.9on Fiverr, over years
5 TBof recorded instruments on disk

Has any of it been played by actual people?

Yes, in rooms with an audience in them. Once with me conducting.

Auditorium Ennio MorriconeRome, once as conductor
MAXXIRome
Conservatorio di TrentoTrento

I am an active member of Musica del Vivo, which has helped put my work for string quartet, piano and violin and other ensembles in front of players.

What do you not do?

I do not take a job I cannot do well, and I say so on the first message rather than on the third delivery. I do not sell packages, because I do not know what your project is before you tell me.

And I do not start work before a quote is paid. That is not distrust, it is the thing that makes the date real for both of us.

What is out there under your name?

2025Va Sempre Tutto BeneAlbum
2024Few Days LeftAlbum
2024Stations of the CrossScore
2024CavourScore
2023AlboreAlbum
2023AtlanticSingle

Listen on Spotify

Enough about me. What are you making? Tell me